According to the Los Angeles Times, composer and performer Eve Beglarian “is a humane, idealistic rebel and a musical sensualist.” She has been awarded the 2015 Robert Rauschenberg Prize from the Foundation for Contemporary Arts for her “innovation, risk-taking, and experimentation.” Beglarian’s current projects include Lighten Up, a multimedia song cycle about visionary visual artists in America; the long-term undertaking A Book of Days, text/music/visuals, one for each day of the year; and Brim, the ensemble and repertoire she has created in response to her 2009 journey down the Mississippi River by kayak and bicycle. Read more at evbvd.com
“Vocal versatility and an omnivorous curiosity” (New York Times) are the hallmarks of mezzo-soprano Lucy Dhegrae, a passionate vocalist with a flexible technique that fits a variety of styles. She has performed with the International Contemporary Ensemble (ICE), Talea Ensemble, the Albany Symphony, among others, at such venues as Miller Theatre, Lincoln Center, and the Kennedy Center. Dhegrae, who is “everywhere new music is being sung” (New York Classical Review) regularly premieres new vocal works and operas, and has worked closely with such composers as Unsuk Chin, Jason Eckardt, Susan Botti, Alexandra Vrebalov, and Sky Macklay. Her opera premieres include Trillium J by Anthony Braxton, Andy: A Popera (Opera Philadelphia/Bearded Ladies Cabaret), A Marvelous Order by Judd Greenstein, and Ashley Fure’s The Force of Things. Dhegrae’s festival appearances include Darmstadt (Germany), Klangspuren (Austria), Mostly Mozart, Bard Music Festival, Gesher Music Festival (St. Louis), and Aldeburgh Music Festival (as a Britten-Pears Young Artist). As “soprano and raconteur” (The New Yorker) she directs Resonant Bodies Festival, a festival of contemporary vocal music that takes place in NYC and beyond, which she founded in 2013.
Percussionist Amy Garapic is an energetic soloist, chamber musician, educator and adventurous producer who continually seeks to explore the role of percussion in todays music and culture. With a strong passion for the creation of new work, her performing is split between the new music powerhouse Contemporaneous and the Brooklyn-based avant-pop percussion trio TIGUE. She has worked closely generating new sounds with composers Robert Honstein, Jason Treuting, and John Luther Adams; has performed alongside So Percussion, NEXUS, Bang on Can’s Asphalt Orchestra and pop icon David Byrne; and has traveled to make music in Jordan, Mexico, Paris, and most recently India alongside Grammy award winner AR Rahman. Read more at tiguemusic.com/amy-garapic
Pala Garcia is a critically acclaimed violinist, balancing a full performance schedule with her work as an educator and advocate of community engagement. As the co-founder of Longleash, an “expert young trio” (Strad Magazine) specializing in contemporary music, she also co-leads the Loretto Project, a graduate-level composition seminar and concert series in Kentucky. Garcia has performed as a guest on numerous occasions in some of the world’s finest ensembles, including the Bavarian Radio Symphony Orchestra, Orchestra of St. Luke’s, Orpheus Chamber Orchestra, and Ensemble Modern. Garcia has been active in community engagement projects led by Carnegie Hall and the Weill Music Institute since 2010, working with a diverse group of New Yorkers to create music in environments that need music the most, including prisons, shelters and hospitals. Read more at palagarcia.com
Stage Director Alison Moritz’s recent productions have been lauded as “about as gorgeous and accessible as any opera anywhere” (The Commercial Appeal), and her work has been praised for its “incredible economy of resources, lean production design, and eye for jest and banter” by The Orlando Examiner. A "rising young star on the contemporary American opera scene" (89.5 Tulsa), Alison’s upcoming projects include a full season directing new productions of American opera; including The Manchurian Candidate (Austin Opera), Candide (Orlando Philharmonic), The Tender Land (Crane School of Music), Our Town (Townsend Opera, Fresno Grand Opera), Hydrogen Jukebox (Tri-Cities Opera), Cabildo, and Gallantry (Central City Opera). Future engagements also include the American premiere of The Snow Queen (Tulsa Opera), as well as new music collaborations with the Resonant Bodies Festival and the percussion trio TIGUE. Recently, the Austin Chronicle named Alison's production of The Manchurian Candidate the #1 Classical Music/Dance event of 2016. Along with the design collective The Libertine Committee, Alison was named one of the 2015 winners of the OPERA America Director-Designer Showcase for her team's concept proposal for The Cradle Will Rock. Read more at alisonmoritz.com
Composer and multi-instrumentalist Angélica Negrón was born in San Juan, Puerto Rico in 1981 and is currently based in Brooklyn, New York. Interested in creating intricate yet simple narratives that evoke intangible moments in time, she writes music for accordions, robotic instruments, toys and electronics as well as chamber ensembles and orchestras. Her music has been described as “wistfully idiosyncratic and contemplative” (WQXR/Q2) and “mesmerizing and affecting” (Feast of Music) while The New York Times noted her “capacity to surprise” and her “quirky approach to scoring”. She was recently selected by Q2 and NPR listeners as part of “The Mix: 100 Composers Under 40” and by Flavorpill as one of the “10 Young Female Composers You Should Know”.
Osnat Netzer /osˈnat ˈnɛtsɛʁ/ is a multi-faceted musician based in Cambridge, Massachusetts. Born in Haifa, Israel, she developed a love of music at a very young age, and trained intensively as a composer, pianist and singer-songwriter throughout her high school years, military service and undergraduate studies at the Jerusalem Academy of Music and Dance. She came to the United States in 2003 for graduate studies in composition, music theory and piano at Mannes, and continued her studies in composition at New England Conservatory, where she earned her doctorate in 2011. Her highly theatrical and engaging compositions have been performed in Israel, France, Germany, Korea, the Netherlands, Poland, Turkey and the United States. Performers of her music include Firebird Ensemble, Boston Modern Orchestra Project, Kaprizma Ensemble (Israel), Ensemble Consart (Germany), saxophonist Geoffrey Landman and bass David Salsbery Fry. Read more at osnatnetzer.com
The curious timbres, expressive noises, and kinetic structures of Katherine Young’s electro-acoustic music explore the dramatic physicality of sound, shifting interpersonal dynamics, and associations with the familiar and the strange. Ensemble Dal Niente, Wet Ink, Talea, String Orchestra of Brooklyn, Spektral Quartet, Fonema Consort, Weston Olencki, Nico Couck, and others have performed her music. She’s excited about recent and coming-soon projects with Internationales Musikinstitut Darmstadt, the CSO’s MusicNOW, Third Coast Percussion, and Distractfold Ensemble’s Linda Jankowska.